The documentary now live and online!
Watch it here – https://mailchimp.com/presents/hamburger-eyes/
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Shop here : http://shophamburgereyes.com
PODCAST REBOOTED. I finally figured out what I want to do with YouTube, something that’s easy and informative. Here’s a hang out with photographer Tobin Yelland. We talk about being a photographer on movie sets and other things.
Also I have exported the audio versions to serve as a “podcast”.
So download / subscribe here – http://raysreports.com
PS. Let me know if you want to be a guest!
PS2. Subscribe to my YouTube channel, I need 100 subscribers to have my own URL. Thanks in advance.
One of my favorites, new one with Ray Barbee!
Thanks Chris Leskovsek.
New one with Robert Frank!
Thanks Chris Leskovsek.
This new doc looks awesome.
Thanks for the link Chris Leskovsek.
This is from Chris Leskovsek –
I still remember when I landed in NZ back in 2011 and I took my camera out (the studio) for the first time as a sole means to make sense about this new world around me. I was homesick, depressed, and wandering but it quickly became a form of self expression about my fears, what I like and dislike about society, document new places and meeting new people.
Yet it wasn’t until sometime in 2012, while talking to a creative director, when he mentioned to me that some of my photos reminded him of Daido Moriyama. To whom? I said. Then, after reading about this graphic designer turned photographer, the term ‘street photography’ came about. Google didn’t offer much at the time, other than Cartier-Bresson and Magnum, however ‘Everybody Street’ came up as a Kickstarter campaign. I clicked and thought, how interesting.
Fast forward to 2013 when the movie came out and luckily for me it was immediately available to purchase online, so I bought it right there, the whole deal you know with the extras and what not, through Vimeo. Hit ‘play’ and I still remember the opening line from Joel Meyerowitz when he says, “…some photographers go to the street and other photographers go to the studio… some people want to pretend its a movie and some other photographers step into the world and say ‘show me'”.
It clicked with me on so many levels at the time and still does in many ways. I think this is a movie that celebrates photography in it’s pure sense. A bunch of NY photographers, young and old, from different paths in life that photograph the odd, the funny, the bad and anything in between about our everyday life and celebrate the importance of telling our stories not just as photographers/artists, but as human beings and using perhaps one of most democratic mediums we have at our reach, a photo camera.
If you haven’t seen it, well now it’s free and I think its a must regardless if you are or not into the whole label of ‘street photography’. I think there’s something in there for everyone simply interested in the act of photography itself.
So now you know the drill… get some snacks and drinks, don’t forget those one… yeah… no… the other ones, yeah those cheeky ones!… and play it even if you have seen it already, just do it! Now it’s free!
PS. I found about Hamburger Eyes through this movie while researching more about Cheryl and Boogie, true story!
I was just thinking maybe it’s getting too serious around here. Maybe we need to bring back some music. And this morning come these vids from long time contributor Alex Martinez. When we got our photo studio darkroom facility in SF around 2008, Alex was the first one to “intern” or volunteer there. He worked 2 days a week, every week, for like 5 years or more. He helped shape Hamburger Eyes during those years. He brought on Oskie and he too worked there forever. Alex is an awesome idea man, awesome music man, awesome aesthetic man. The simple design of this site is direct influence from him. Check out him out.
Lecture #1 @ Foothill College, California, USA – 2015
Lecture # 2 @ Nordic Light Festival, Kristiansund, Norway – 2013
Hey guys, I would like to start this series of photo docs, with a photographer that many of you might never heard before, and I think at this stage it might even be more interesting than me posting another ‘Frank/Bresson’ documentary.
Raul Cañibano – The Cuban Wide Angle Bresson
I honestly do not know how I came across Cuban photographer Raul Cañibano, I think someone, years ago (2011/12 ?) might’ve mentioned it to me or something. I know that as soon as I saw his work, I inmidiately went looking for more info about him, sadly, at the time there was nothing on google. Not even a Facebook page on him. Only this little – and still – only book about his work ( https://www.amazon.com/Ra%C3%BAl-Ca%C3%B1ibano-PHotoBolsillo-Willy-Simons/dp/8415303823 ) which I STRONGLY recommend getting.
Years has passed, and still very little is known about Raul outside Cuba, except that one University professor from the US (can’t remember his name right now) came across Raul’s work and has since helped him get his work out in the world.
Now, the reason I’m recommending Raul’s work, is because, I think for us photographers, Cuba has almost it’s own label or category within photography. We all know the thousand tourists photos of the old cars, buildings, and what have you about Havana. Raul on the other hand, is Cuban, and has an ‘insider’ look to the cuban lifestyle, customs, and culture of his country like no other. Now, if you top that, to the fact that his eye arguably is right up there with Bresson or any of the high praised eyes on mount olympus (Magnum) the end result is simply something I’m sure you have not seen before. Even in 2018.
I honestly do not know how or why his work hasn’t got out there or why he hasn’t been published by steidl or the likes. Perhaps, he does not belong to the elite of photo fairs in Paris, NY or London, or simply maybe is because he doesn’t speak english, loves cuba and refuses to leave the country. In any way, please enjoy these very few lectures about his work.
For all of us gear buffs, his work was very limited in the beginning, to the point of having a camera body (Nikon F) that did not match its camera lens mount and he would just hold the lens in front the camera body and shoot that way. But throughout his career one thing has remained constant, a 28mm lens. I believe he now shoots with an Fuji Xpro1 and a 18mm f2 lens (28mm).
Also, I recently noticed that FINALLY, Raul has put together an official website this year, please check it out here https://raulfoto.visura.co/
Gonna start making more use of our youtube channel. It’s been a while.
Have you seen it?