Photo by Guido Gazzilli
Ok in the first part I talked about how no one cares but you can make them care once you start caring and taking it seriously. Not to be all serious about it because if you are not having fun and enjoying every bit of it, then maybe photography is not for you. I am finally seeing the light at the end of the tunnel.
Step 1 : What do you want?
This is going into the personal development department but really you have to define what success is for you. Do you want a book deal? Do you want to shoot a look book for Target? Do you want front page of New York Times? A1? I still always look at every photo credit in New York Times when I get the chance. At one point that is what I wanted. But things evolve too. That can happen.
Step 2 : How do you get it?
Strategy. Think about how to get from point A to point B. You don’t really have to invent anything here. The sooner you know what you want out of photography, then the sooner you will know how to get there because someone already did it before you. Sure everyone has their own path. But if you are paying attention, someone might have already blazed a trail for you and you just need to follow the tracks. Otherwise, get the machete and get to chopping.
Step 3. RELENTLESS DOMINATION
I was just gonna write “Relentlessness” but then I remembered Dwayne ‘The Rock’ Johnson is always saying “Relentless Domination” on his Insta. He is right though. Figure out what you want and don’t stop till you get it. My vote is to shoot 100 photos everyday until you start a fire. I think opportunities will arise from the ashes.
I have been fortunate to work with a lot of awesome photographers but what always impresses me the most is how much these pros actually shoot. You would hear stories of how Garry Winogrand passed away with over 3000 unprocessed rolls of film. Ted Pushinsky went shooting with him a few times and confirmed the legend to be true: Garry Winogrand would shoot 12 rolls of film by noon everyday. Ted said after shooting, he would drop his rolls into a big garbage bag that was already filled with tons of rolls.
When I had a darkroom in SF I would get random printing gigs. I had made contact sheets for Jim Goldberg before and one day he mentioned that he will be going to Bangladesh for a few weeks and will have some work for me when he gets back. Ok he came back with 800 4×5 negatives that I had to make contacts for. That was just the black and white. He said he also shot over 500 rolls of film, both 120 and 35. And digital.
Oh my. Imagine how much these guys shot when they were young? I’m saying you’re still young. And you could be doing more. Me too. Maybe this message is more for me than for you but maybe you will get motivated and start shooting more. We need it.